The Old City as a Backdrop of Festivities
I have been looking at the first images of the Grand Parade at Sinulog Festival in Cebu this year, and something is off or missing. Is it the backdrop of the old city that makes Cebu City vibrant and alive during the Fiesta Sundays?
|Magellan's Cross. Behind it is the Basilica Minore de Santo Niño de Cebu, the center of Fiesta Señor-Sinulog Festivities (January 2020, BMArellano)
Despite having a very small and cramped space, with its historical and cultural significance not only for Cebu but the entire nation, the Augustinans and Cebuanos still converge in this corner to celebrate the Novena Mass and the Fiesta Señor. Bisan katung naguba ang belfry tungod sa linog, the Mass is still celebrated there. Removing the Fiesta Señor from it because of the cramped space may also remove “the sense” of that place, too. I guess that is also my peg for the Grand Parade as well.
Though the Grand Parade has been celebrated in the so-called “Uptown Cebu,” a more spacious area north of “Downtown Cebu,” that part of the city has become contiguous with the city. Osmeña (Jones Avenue) Boulevard, along with Maxilom (Mango Avenue) Avenue had been perfect for the carousel route that the celebrations like has been.
Here are some scenes from uptown Cebu City in the old carousel route:
In similar cases, the old heritage buildings of Iloilo are the perfect backdrops not only during Dinagyang Festival, but other festivities too. Most people tend to be on the streets, rather than the performance areas, so are photographers, tourists, and videographers. I guess they wanted to “feel” that happy vibe. Is it because of the crowd, the scenery, the acoustics? The “vibe” or diwa is somehow drawing—like the solemn foot procession done on Visperas in Cebu, or even the Traslacion of the Poong Nazareno in the streets of Manila. I don’t like to use the word “infectious” in this era of post-pandemic world.
The crowd, the cramped space, and the scenery makes a festivity and the place lively and vibrant—in photos and in-person. There is a certain charm when celebrations are held in older parts of the city. As if it is a manifestation of its identity, diwa, and kabuluhan. I guess the antiquity of the place is a product of centuries and generations of histories and stories that makes celebrations and commemmorations significant to one's place and people. Downtowns and town/city centers were made because it is a convergence point of people. There is a risk of isolating the celebrations and making it more inaccessible to the greater public, when we move these practices away from its origins. The essence of social rituals and traditions suddenly become foreign.
Let us see how SRP as a main venue of the parade will come out this year. I guess, just like Uptown Cebu was in the 1980 and 1990s, development and access to the space would gradually come over in this newer area of the city. Still, my heart belongs to the older carousel route. I guess I’m old school.
However, I am still glad that the true reason of the festivities, the Novena Mass and the Fiesta Señor, and the Santo Niño de Cebú itself, remain at the heart of the old city.
¡Viva Pit Señor sa atong tanan!
(Photos from Sinulog Festival in Cebu in 2020, Dinagyang from 2014.)